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Graphic with the text “A prettier cage is still a cage” on a black background, above a stylised cage illustration surrounded by the stars of the EU. ENIL and EU co-funding logos appear at the bottom.

EU funds must not build institutions: ENIL challenges new project in Brussels

Black background graphic reading “EU funded segregation in Spain”. In the centre, overlapping yellow and red cage bars with padlocks symbolise institutionalisation. ENIL and EU co-funding logos are shown in the bottom right.

ENIL Raises Concerns about Next Generation EU Investments in Spain

Many people posing for the camera, view from above

ENIL Joins FRA Consultation Meeting on Violence against Disabled People in Institutions

Adolf Ratzka in a blue jacket sitting in a wheelchair, with text overlay that reads: 'Continuing Adolf Ratzka’s Legacy – Join Us in Advancing Independent Living.' Logos of the European Union and a co-funding statement are also visible.

Continuing Adolf Ratzka’s Legacy – Join Us in Advancing Independent Living

Humour and Disability Visibility

Critical theory and Independent Living, by Teodor Mladenov

Towards Independent Living Studies: Reflections from the 2025 Nordic Network on Disability Research Conference

Disabled People Demand Fair Access to Personal Assistance. Images of Disabled People and allies protesting in front of the Prime Minister's office

Poland’s Personal Assistance Bill: Lifeline or Another Barrier for Disabled People?

Pakistani Disability activist visits ENIL. Group of 4 people posing for a photo

Empowering Change: Pakistani Disability Activist Visits ENIL

You're welcome here! Or sort of.

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Why Disability Inclusion Matters at Every Level

Back to the future: advocating for independent living in the United States

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Advocating for Independent Living in the US

Photo of two Disabled persons and text saying "from living in institutions to using personal assistance"

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From Institutions to using Personal Assistance

Adolf Ratzka, second from the left, with John Evans, Judy Heumann, Manuel Lobato and other colleagues looking into the camera.

John Evans’ Tribute to Adolf Ratzka